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CMJ 2014 – Day 1

It’s that time of year again, when all us music nerds run around NYC trying to catch as much good and/or new music as possible. This year I’m working a night job every night of the week, so most of the shows I will be attending are during the day. I did manage to catch one good act last night though, in addition to being introduced to two new bands during the day.

First up I went to Pianos to catch this band from Berlin called Mighty Oaks, who absolutely blew me away. After their set I asked about buying their CD and they said I could do so online.

Next up I moved over to Cake Shop to catch a noise pop band from Dublin by the name of September Girls. They didn’t exactly wow me like the first band did, but they definitely had their moments. I think a large part of my problem was they like a lot of reverb and it made it hard to understand all of the vocals. Still enjoyed their set and of course grabbed some pictures.

Unfortunately after this I had to take a break to go to my real job, but I did manage to make it over to Bowery Electric to catch one of the bands I was most excited about seeing this year: Butcher Knives. They have one of the best live shows of any band I’ve seen. The amount of energy they put into each performance is incredible, as were the photos I managed to snap during their set. (hashtag: humble brag)

It was definitely a wild and crazy night, and a great start to this year’s CMJ. Hopefully you had as much fun as the crowd did at Bowery Electric, and you keep on rocking all week.

Jukebox the Ghost @ Rough Trade – Live Review

First of all, this post should have gone up either Sunday night or yesterday but I am in the process of moving into my new apartment, so life is pretty chaotic right now. I couldn’t stay quiet about my experience going to see Jukebox the Ghost perform a free pre-release show at Rough Trade for their new self-titled album (which drops Oct 21) though. I jotted a bunch of thoughts down at the show, which I wanted to share with you now…

Sunday afternoon I was thrilled to attend the Rough Trade Jukebox the Ghost in store for two reasons: 1) It’s been ages since I’ve seen the band and was anxious to see them again, and 2) It was my first time at the venue and I was curious what it would be like. Consequently this review is just as much about Rough Trade as it is the show I saw there.

First let’s look at the venue. When you first walk in there’s a decently sized store with mostly records but also books and a small selection of cassette tapes. I loved the layout of the store and the general vibe. I even talked to one of the staff about any possible job opportunities and got a very helpful response.

Moving on to the actual venue (which can be found through a door in the back of the shop), the size of the place felt perfect to hold a good crowd without anyone having to feel removed from the stage too much. The sound was particularly impressive, not too loud to blow your eardrums but still being able to hear everything clearly. The only slight negative to the experience was it got a bit toasty at one point, but I believe that was because that particular day wasn’t sure what the temperature should be, which probably made it hard for the staff to affectively know how to heat or cool the space. (Side note: we’ve been having the same problem at the venue I work at, so I totally understand and don’t hold it against them at all. Fall needs to figure out what it wants to be already and stick with it).

Now onto the show itself… The band played quite a few selections from their new album, all of which I thoroughly enjoyed. Of course there was the usual stage banter in between songs, which is one thing I have always loved about this band: their stage presence. The guys have the ability to charm and joke their way through any set. Take an example from this show: the drum broke during one song, so the crowd was treated to fun stories to keep us occupied, including a bit of self-deprecation about Ben messing up a song he’s played “once or twice” while performing live on the radio. Instead of being annoyed the set had been interrupted by technical difficulties, we all got to have a good laugh before continuing on with the show. This kind of thing has happened before at their shows, and I love that they just make a joke about it or something else and roll with the punches. It’s almost like they enjoy the little bumps in the road, which is really the ideal for a musician’s life or just in general when you think about it. Being able to go with the tides is what makes life enjoyable (or at least bearable). Personally the music that Jukebox the Ghost has given us over the years has been very helpful with that in my journey through life, and I look forward to adding another batch of songs to the collection.

Just Another Manic Tueday

Tonight I had the privilege of seeing The Bangles live and was inspired to bring back what used to be a regular occurrence of me reviewing bands I see in concert. For a band that’s been around for over 30 years, they still have a lot of energy to bring to their live show. Hearing them bust out one golden oldie after another was a blast from the past that never felt the least bit stale at all. On the contrary, it was a refreshing night of music that left me both satisfied and extremely impressed. The band sounded and looked amazing as they smashed through one song after another. It was the perfect way to spend a Tuesday night after using my “weekend” (which was Sunday & Monday) to start moving into a new apartment. If you ever get the opportunity I definitely recommend you check this band out. And on that note, I leave you with this:

Hank & Cupcakes at Santos Party House

Wednesday night could have been described as “bass and electronics” night at Santos Party House, as that was the focus (with the exception of one band). No complaints here, because it gave me and the rest of the audience a chance to dance the night away. The first two bands were also just as much about visual presentation as they were about the music, the difference being that Mother Feather seemed to use flashy costumes to get the viewer’s attention, where as Dolchnakov Brigade seemed to have an image they were trying to project. I’m more familiar with Dolchnakov, however, so that might influence how I viewed them. Regardless of the purpose, both bands did an excellent job of catching my attention and leaving me in wonderment of what I just witnessed. This is neither good or bad, just different (which I guess in itself is a good thing in a sense).

The main event for the night was Hank & Cupcakes, a two piece with the power of ten. The two members did a splendid job of turning a bass and drum kit into a symphony of beats that called the audience to movement. From the first note to the final echo, Hank & Cupcakes will make you want to get up and dance. Seriously, anyone who wasn’t dancing during their set was probably a robot. The night was a perfect antidote for the mid-week doldrums of life. If you missed the show on Wednesday, then I am sorry for your loss. The next opportunity to see them probably won’t be for awhile. Definitely keep your ears open though, because you are not going to want to miss them again.

Parry Adams at Webster Hall

When trying to decide what to say after seeing Parry Adams open for Lucy Woodward at the Studio at Webster Hall, it was hard to form complete sentences. Words definitely came to mind, even full phrases, but I couldn’t string them together into sentences that flowed together into anything that would give you an idea of what this show was like and make you immediately plan to attend her next event. Maybe a little mystery is good, though. Maybe it will make you even more intrigued, make you want to go even more.

So where to begin?

Maybe with the crowd. It was silent and attentive. It only spoke when appropriate. It clearly loved her. True, some of them were likely friends, but others were friends and fans for the other two performers. They still respected her, still gave her the attention she deserved, and some even went to speak to her after the show and share just how much they enjoyed her set.

And how about that set?

I’ve seen Parry both solo and with a band. Both are different experiences. One thing that always stands out is her voice. It’s strong and amazing. She might have been charmingly nervous in between sets, but her singing was always strong and confident. (And if she rambled any on stage, like I said, it came off as charming).

I’ll have to admit, I haven’t listened to the album yet, but I plan to after tonight’s performance. Might even write a review for that too. Who knows? And I will definitely be going to another show, if the opportunity presents itself. I recommend that you plan to as well.

(Parry Adams does ocassional uStream concerts, where you can get the live experience from the comfort of your own home. Her next one is March 22nd.)

TSO @ iHeartRadio Theater

Tonight I got a last-minute invite to see Trans-Siberian Orchestra play a short but exclusive show at iHeartRadio Theater. TSO is one of those bands that I have never been able to see live – despite many attempts – so naturally I jumped at the chance to see them now. Many people I have talked to in the past said they had a very good live show. They perform every year around Christmas, but I’ve never been able to attend. After seeing this short set tonight I can honestly back every positive review you’ve ever heard. They have a full show coming up on December 22nd at Prudential Center in Newark, NJ. I highly recommend going if you have the means and opportunity.

Jukebox the Ghost/Wakey Wakey Tour

Last week I was lucky enough to make it to both the Brooklyn and NYC dates of Jukebox the Ghost tour with Wakey Wakey. The Brooklyn show was at Rock Shop, and the other was at Bowery Ballroom. This was my first time at Rock Shop, and it might be one of my new favorite venues. It was a nice space with good sound and just enough room to dance. Highlights from this tour included a very memorable fan at this venue and three new songs performed by the band (two new songs + a tasteless cover). The cover was of Huey Lewis’ “The Power of Love,” which fans seemed to respond well to. The two new songs sound great, and have me very excited for future new material and hopefully a new record. There’s eight videos from the Rock Shop on my YouTube page, but I will post the new stuff below.

Here are the two new songs:

and the tasteless cover:

Like I said, I love the new stuff, and I even caught myself singing them after two nights in a row of seeing them performed live. The complete set list was as follows:

Mistletoe
Half Crazy
Hold It In
Interlude/The Stars
Empire
Summer Sun
new song
Nobody
new song
Good Day
Static
Power of Love (Huey Lewis cover)
Schizophrenia

Be sure to check out the other videos I took, as well as a few pictures from the two shows.

Ben Folds @ Beacon Theater (12/14)

On December 14, 2010 I had the opportunity to see Ben Folds make magic happen at Beacon Theater. Unfortunately, this was also when I first started dealing with what became known in my house as the-illness-that-never-dies. This is my pitiful explanation for why this review is appearing almost 2 weeks after the event took place. Proof it was a great show though, or I would have simply forgotten about it and moved on to other things. So, without further ado, I present Ben Folds: Live @ Beacon Theater.

Picture it: It’s a freezing cold night in New York City, you’re sick and cold, but Ben Folds is playing in your city. Of course you go, even though you should stay in and rest up, but it’s Ben Folds (!). How do you say no to the chance to see possibly one of the greatest musicians of our time? You don’t. You brave the cold and wind and keep telling yourself it’s fine because it’s mostly just subway ride anyway. Reasons I love Beacon Theater: an exceptional venue that is also quite convenient to get to. But I digress…

The show itself was everything I could have asked for. Ben Folds has a lot of things going for him. He’s an extremely talented musician both vocally and on the piano (and isn’t too bad on the drums either, for that matter). He also has a great relationship with his audience, keeping things entertaining all the way through an extended set that somehow doesn’t drag in the slightest. Top moments of the night included the story of how Ke$ha’s single “Sleazy” became the cover song of the tour (it happened to be the #1 song on iTunes that day and they stuck with it) and a killer version of Free Bird after an audience member shouted it during a lull. This happens at a lot of shows I’ve been to, but usually the artist doesn’t oblige. Folds said something along the lines of “Gotta be responsible when you yell that out, young lady” before going into his rendition. Best part of this was probably that he didn’t know all the words, so he made up his own. Here’s a video someone posted on YouTube from the night:

Of course this (combined with the length of an average song of his) ate up a lot of time, so there was a 1-song encore where Folds selfishly got some 3-part harmony out of us before ending the night. There was more than enough music in the main set for me to be perfectly fine with this. My only disappointment was not getting to hear “Trusted” since it’s my favorite song of his, but playing “You To Thank” balanced things out. Overall it was a great night, and one I won’t soon forget. Add this to the list of artists I would definitely recommend seeing if ever you get the chance.

Maxwell’s Presents: April Smith and the Great PIcture Show

This past Friday, December 10th, I was lucky enough to finally get a chance to see April Smith and the Great Picture show live. The opportunity came with a late show at Maxwell’s in Hoboken. Openers for the evening included The Canon Logic and Elizabeth & the Catapult. The first opener, The Canon Logic, got things fired up early on, with a mini dance party even forming in the front of the room. Next, Elizabeth & the Catapult kept things going. Their sound seemed to fit better with April Smith (although I enjoyed the first band as well). It might have helped that Elizabeth & the Catapult are a female-fronted band with a similar style to April Smith (IMO). I thought Elizabeth had a similar quirkiness to April Smith and a lot of heart. Speaking of which, my heart was completely won over by the end of their set, due in large part to the charming lead singer.

That brings us to the main event, April Smith and the Great Picture Show. I did a review of their album over the summer where I raved about how unique and entertaining their sound was. This gave me high expectations for their live show, which I am happy to report were not disappointed in the slightest. April and band had a great stage presence. April Smith was charming and sweet and fun, but also strong as a vocalist. I thought she found the perfect balance of strength and sweetness. Overall the performance was solid and enjoyable. If you ever get a chance to see this band live, I encourage you to take it. I promise they will give you quite a show.

*I was going to use the end of this post to include a video I took from the show, but if you follow me on Twitter you will know I was having trouble with that. I promise to go back and edit later, but really wanted to get this up ASAP for your reading pleasure.

Edit: Sorry this took longer than I wanted it to, but all the video I took from the show is finally up on YouTube. I’m embedding my three favorites below as a sample, but you can view the rest on my YouTube page.

(Warning: that last one has a tiny little curse at the end, which you know if you are familiar with the song)